From AIGA Insight ~ Topics: advocacy, governance, membership
How has the economic downturn affected AIGA?
“ History reminds us that at every moment of economic upheaval and transformation, this nation has responded with bold action and big ideas.” —President Barack Obama, Address to Congress, February 24, 2009
We are all aware that we are in the midst of an unprecedented economic downturn that is likely to have a powerful effect on the demand for design services. This is going to challenge each of us, from individual designers and design firms to AIGA itself.
The Design Leaders Confidence Index for the fourth quarter of 2008 is nearly the lowest it has been since we began tracking this data four years ago (it was slightly lower in the third quarter of 2008). Results show that 70 percent of respondents believe that the economy is worse now than it was on October 1. However, participants express some optimism about the coming six months: 30 percent believe the design economy will be moderately better by July. Another 35 percent feel it will be the same, and the remaining 35 percent feel it will worsen.
Here is what I am hearing: Agencies and in-house departments are laying off personnel; studios are busy, but often on contracts that are being reduced in scope or budget, with high demands and low margins; there is not a lot of hiring; new business development pipelines have plenty of capacity; and everyone is anxious. Still, we are absolutely confident that the economic recovery will include a critical role for design, as a driver of innovation, transparency, clarity and market differentiation.
AIGA is developing services to help designers prepare for the economy’s beginning to grow again—in particular, several training partnerships that will help designers take advantage of this slow period by improving their skills and becoming more competitive. We have also reinforced the AIGA Center for Practice Management by launching a new series of affordably priced webinars, offered exclusively to AIGA members, to help them get through the management challenges of this slowdown. We believe strongly—and many management experts concur—that the mantra of any professional designer must be: train, train, train, learn, learn, learn.
AIGA is determined to use members’ collective voices to relentlessly reinforce the relevance, respect, leadership and opportunity that design deserves.
However, AIGA, too, has been affected and needs to meet members’ expectations in a leaner form, with reduced staff and financial resources, working smarter where we cannot work harder. This is not to say that AIGA is in danger—we have a solid financial foundation, with reserves of more than $1 million and the number of designers who continue to maintain their memberships exceeds 21,000. Yet we expect sponsorship to be more difficult to attract, and that attendance at conferences and participation in the competitions may weaken.
Six months ago, AIGA was in such secure financial shape that we felt we could weather any storm. With the precipitous decline of the financial markets, our ample working capital—including the revenues from last year’s design conference and members’ prepaid dues—was suddenly half its earlier value even though it was invested prudently, conservatively and in a balanced portfolio. If AIGA liquidated its equities now to fund short-term operational requirements, it would lock in a substantial loss in value. Our strategy at this time is to make cuts in a number of areas such as printing new and existing materials, developing exhibitions, and expanding communications and public relations. Every AIGA activity has been, and will continue to be, evaluated aggressively for its effectiveness.
We know the pain many members are experiencing. AIGA is by no means immune: the CEO and COO have taken salary reductions; the contribution to staff retirement benefits has been cut by 75 percent; employer contributions to staff health benefits have been cut by 50 percent; and four staff positions were eliminated. Yet we know that we will gain the help of members to work hard to bring the profession out of this crisis with renewed strength.
AIGA will emerge stronger, but not unchanged, from this experience. We are currently—and eagerly—engaged in a process to gain members’ input on the future direction of the organization through the biennial member survey, discussions at chapters, and at the board and leadership retreats.
AIGA members have clearly stated that now is a time to think about what we can do together to promote our future strength as designers; they do not see the need to focus on what we must give members to recreate what was.
It is clearly also a time for transformation—for bold action and big ideas—and AIGA is adapting to members’ interests by advancing the profession in terms of relevance, leadership and opportunity. Watch this space for more, as we are listening to your comments and will address them and review them with the board and chapter leadership before summer.
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When we come up the other side of this it may be an opportune time to launch a campaign to certify graphic designers. Why now? Because when times are good nobody cares. When the economy bottoms out and there's no-place to go but up, a certification program will do few things:
1. It will increase membership if AIGA plays a leadership role in promoting and supporting certification and certified designers, however AIGA membership cannot be a prerequisite of certification.
2. It will give a competitive advantage to certified designers. When most are certified it will be an even playing field in that regard, but it will separate the occasional desktop publishers from the professional designers.
3. Will boost the professionalism and ultimately the image of the graphic design industry. -
I wish that the membership prices could be reduced in this time of economic turmoil. I believe it would encourage action to join.
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I would concur with Marks statement about certification of designers. There has been talk of this in the past, I think the time is right to revisit the issue, especially when sites like CrowdSpring are changing the landscape of the design profession. I'm concerned for the future of my profession, as our work seems to be looked at more and more as a commodity and less as a knowledge based profession.
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I feel like the recession is more of a scare than a real thing. I mean sure the economy kinda sucks but it wouldn't be that bad without everyone panicking and doing everything to save money (which is in no way good for economy).
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We certainly experienced the economy at our place, people cut down marketing and advertising first, and that's the last thing they should cut.
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I agree with the advise to "train, train, train, learn, learn, learn." One of the things that I love about the practice of commercial design is that I continually have the opportunity to learn about other industries, businesses, and services. When we are continually learning, we are able to engage in meaningful dialogue with other industry leaders. So much of "design" is educating these leaders about the value of our unique problem solving skills and abilities. When we can demonstrate that we are willing and able to understand their needs, doors open (and hopefully, billings come into the studio). Train, train, train, learn, learn, learn!
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I am not so sure that things are that bleak for design. Yes the big guys have been hurt, but most of the smaller agencies I know, and my own have actually seen a vast increase in new work. Maybe this economic downturn is really just leveling the field a little, moving the money and work around a little more?
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This is a depression, not a recession, and it will be here for decades. The financial system has disintegrated. (Read Gillian Tett in the Financial Times). I would like it if AIGA would do more to put job seekers in touch with those in need.
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I have to say, I am appalled that anyone is downplaying the recession's effect on the design business. I realize that many smaller firms/freelancers have been doing okay, but the amount of firings has been phenomenal. I have heard of at least 3 very large agencies or in-house marketing sections letting go of every single graphic designer. This means ridiculously high numbers of unemployed designers, and an impossible job market. Of course, some of them have been successful in turning to freelance, but the point is a lot of designers have been hurt by the economy. I would have to agree that the AIGA should adjust membership dues.
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I am a commercial photographer (Baltimore) whose work is directly impacted by the success of graphic designers and I find it interesting that 2008 and early 2009 have been the best I've seen in a long time. I have to say I'm a little confused given the tough times. I'm also not just starting out so that helps. What will happen to the people just breaking into the business, design or photography?
I agree with Dan, now is the best time to train and learn... Also a great time to update portfolios to be ready for the upturn.
Any insights regarding the use of photography, original or stock in the design world?
http://jdph.com -
Thanks for a great article, I found it to be very candid, encouraging and also brought into focus the effects of this economy on all of us, in every city. Looks like the horrible economy is the great equalizer.
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what do design studios OR designers recommend to graphic design students who are graduating in may? Just act like the economy isn't what it is and try to get studios to look at your book in hopes that their hiring freeze won't affect you AND you and your book will override that hiring freeze so as to not lose you to their competition?
-Scared design grad about to enter the real world in a poor economic state -
It's in market conditions like this when I find my AIGA membership invaluable. In cutting budgets at my studio, we were careful to leave the line item for membership intact for two reasons: the designers get as much out of membership as I do and, more importantly, in times like these I appreciate the fact that AIGA is advocating for the value of design in both the business and governmental communities.
I find the Center for Practice Management an amazing resource. Even now they've offered help with six strategies for helping us cope ("Good Advice for Bad Times"). And, as Ric mentioned, the webinars are topically relevant to today's market conditions.
And, since software upgrades are inevitable, that fact that members receive a pretty substantial discount from Adobe really helps with the bottom line (OK, that discount helps all the time!).
And, I have to admit, I do find it a bit uplifting to see the 96 job listings in AIGA Design Jobs. Clearly not everyone is cutting back.
I am realistic and believe that the rough weather will last a while, but it's sort of nice to have AIGA as my umbrella, helping me ride out the storm. -
I also agree that AIGA should reduce its fees in light of the economic depression, downturn, or what have you. One thing that has always bothered me even before the downturn is that AIGA assumes after 2 years of professional work you should be able to afford their fees. This doesn't take into account designers who may be working for indie clients and non profits and not bringing in the big bucks. Not everyone is working for a big firm who will pay their membership fees.
Engage a broader, more democratic aiga community. More members = more participants and broader initiatives. -
you need to listen to your members and not take things personally
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I second the motion regarding certification. It'd be great to see AIGA leading the charge on this issue.


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